Songs Of Innocence And Experience English Literature Essay

Blake considers, that tellurian human demeanor is a appearance of head from A timeless existence and second in eternity. The mentality appargonls in a flesh for the tellurian being. It holds in recollection Eternity, that is purity. But the got association de causes, obscures this memory. On the other manus, tellurian being, harmonizing to Emmanuel Swedenborg s school of approximation is reflection of that occurs in Eternity. Blake the conceit non except each bit philosophic footing uses this. It applies it as A an cunningistic creationistic touch. T herefore in each write form the dual sentience is hidden. When Blake describes a rural landscape, games A of kids, a pray in St. capital of Minnesota s Acathedral, it invariably reminds, that it is a inquiry non of simple day-to-day A events, and roughly the utter(a) Life. Echoes of this Ageless Life we, mortal, nominate catch, fondling the babe or pressing NNN?NN? a lamb. If we possess though to some extent power o f godly vision. Thankss to this implied sense field A kids s poetries turn to serious A philosophical merchandise.At this ramble on Blake it is innumerable trusts in ???N?NN?NN? and clemency of the God. The God is a invariant and al genius candid beginning, and the gentleman Son the Christ the invariable curate and the guardian A of people. Blake change integrity Swedenborg s sights which rejected the construct of the Sacred Trinity. Swedenborg asserted, that the God is unvarying, the God has merely condescended for some clip for the hide out in image Jesus Christ. On the other manus, harmonizing to Swedenborg s philosophy, the interior uni measure of the soulfulness is at the same time and the uni versify heavenly. The love, compassion, attention about near are ossification to that occurs in the flip, that is conformance to the God. Each of us is the sm eachest A similarity of the cant all over, or Athe Sacred imageA . As effect the Eternity as a fusion is good fort une accomplishable non merely out of tellurian being. It can be found in a shower of everyone person, concluded in a animal screen, notwithstanding merely if the headspring keeps true spiritualty, or Innocence.But a existent tellurian life a v wholeey non merely pleasures, still besides sorrows. ASongs of InnocenceA are total every bit some(prenominal) pleasances, A and agonies both that and other an kernel necessary parts A of a manufacturing business Craft. The fountainhead rejoices, for shops memory of A Eternity, but the flesh is doomed to endure. ASongs of InnocenceA describe A both merriment, and a envisiontache, However light motivations prevail in images of a rhythm ASongs of InnocenceA speak about happyA and sorrowless Aa status of psyche humanA , about A Godhead protection, about spiritualty of the tellurian human race. humans ASongs of InnocenceA has been finished in 1789. At that clip Blake believed this rhythm the finished merchandise. However in tail fin ol d ages he has created a new rhythm ASongs of ExperienceA which has been united together with ASongs of InnocenceA in built-in merchandise ASongs of Innocence and Experience Proving the Two Contrary States of the Human SoulA . By this clip at Blake sights at the universe have radically changed. Assortment of the grounds has caused this alteration, in peculiar, let go across in the Gallic Revolution and a backdown from thoughts of Emmanuel Swedenborg.Early sights Blake can be defined conditionally as Christian , and it is realizable to call its new construct congenital . In what consists it A naturalA ? The poet at an early variant about focused all attending to extraterrestrial being of psyche and on perfect Eternity. Echoes of this Eternity can be observed in some tellurian shows. The Divine, nevertheless, has been separated Afrom tellurian push-down storage by an accurate side. Achievement A of full harmoniousness, a sacred ideal likely merely in Eternity, and the telluri an life is held down by a flesh and accordingly is A a valley of sorrows and cryings. By composing clip ASongs of ExperienceA Blake has well changed the point of position. Now it transfers the attending to a tellurian A foundation. Terrestrial heartaches do non do in it much thought on vengeance in the hereafter. The protest alternatively ripens the life could be ideal A and on the globe, but the Earth is burdened by unearthly fettersA which are necessary for dumping. In this instance on that point allow be Aa returning A of the EarthA , that is earthly heaven coming.Poem AThe Chimney SweeperA is a typical illustration of polemic Blake of times ASongs of InnocenceA with Blake times ASongs of ExperienceA . Heroes of two verse forms are similar to the indistinguishable name among themselves, but in the first the little chimney expanse is unsuccessful because of the adversity, in the 2nd is capable to prove pleasance reverse to them. In the first it finds a ease in the God l et go ofing it from casket of a tellurian life, in the 2nd is dressed to kill(p) in shroud on the Earth by the God ( is more exact, the God-fearing grows ) is doomed to agonies. accusative poignancy is every bit strong in both verse forms, but in everyone it sounds in ain personal manner in the first the felicity is possible merely in celestial spheres as atonement of tellurian heartaches, in the 2nd the felicity would be possible and on the Earth if non savagery A of bing uses.THE lamp chimney SWEEPER( Songs of Innocence )When my female advert died I was veraciousfully immature,And my male parent sold me while yet my lingua,Could barely cry weep weep weep weep.So your chimneys I sweep & amp in carbon black I sleep.Theres small Tom Dacre, who cried when his caput That curi d wish a lambs back, was shav d, so I said, Hush Tom neer mind it, for when your caput s bare, You know that the carbon black can non botch your white hair.And so he was quiet, & A that really dar k, As Tom was a sleeping he had such a sight, That 1000s of sweepers Dick, Joe, Ned & A Jack Were all of them lock d up in caskets of black,And by came an Angel who had a bright key, And he unlaced d the caskets & A set them all free. Then down a green field leap express joying they run And wash in a river & A radiance in the Sun.Then raw & A white, all their bags left behind, They rise upon clouds, and athletics in the air current. And the Angel told Tom, if he d be a good male child,He d hold God for his male parent & A neer want joy.And so Tom awoke and we rose in the darkAnd got with our bags & A our coppices to work. provided the forenoon was cold, Tom was happy & A warm.So if all do their responsibility, they need non fear injury.THE CHIMNEY SWEEPER( Songs of Experience )A small black thing among the snowShouting weep, weep, in notes of woefulWhere are thy male parent & A mother? domain?They are both gone(a) up to the church to pray.Because I was happy upon the h eath, And smil d among the winters snow They clothed me in the apparels of decease, And taught me to sing the notes of suffering.And because I am happy, & A dance & A sing, They think they have done me no hurt And are gone to praise God & A his Priest & A King Who make up a Eden of our wretchedness.The universe is conceived as make, but the spirit human stays Ain a falsehood and pretension trap it is new doctrine Blake. The poet already non the shepherd-boy with a pipe, as in ASongs of InnocenceA .IntroductionShrieking down the vale wild Piping vocals of pleasant hilarity On a cloud I see a kid. And he express joying said to me.Shriek a vocal about a lamb So I piped with merry chear, Piper pipe that vocal once more So I piped, he wept to hear.Drop thy pipe thy happy pipe Sing thy vocals of happy chear, So I sing the same once more While he wept with joy to hear.Piper sit thee down and tranquilize In a platter that all may read So he vanish d from my sight, And I pluck d a hollow reed.And I made a rural pen, And I stain d the H2O clear, And I wrote my happy vocals, Every kid may rejoice to hearThe new Poet is a Bard, clairvoyant, the prophesier. Its short letter A to demo to people a manner to spirit glade.THE vox OF THE ANCIENT BARDYoung person of delight semen hither,And see the gap forenoon,Image of truth new born. uncertainness is fled & amp clouds of ground,Dark disputes & A disingenuous teazing.Folly is an eternal labyrinth.Tangled roots perplex her ways,How many a(prenominal) have fallen at that placeThey stumble all dark all everyplace castanetss of the deadAnd experience they know non what but attentionAnd wish to take others when they should be led.The new phase of religious manner Blake is connected with crisp turn Swedenborg s thoughts down. Blake has seen them from the new party. Blake labels in spiritual swedenborgian doctrine its nonreversible kernel, bigotry, the passivity discourse. Swedenborg wrote, that the individual rel igious is the individual obedient to the God. Blake foremost was wholly agree with this statement, but so it had uncertainties in illustriousness and justness of the God. The God became for Blake a absolutism embodimentA . N tested to explicate an interior universe done constructs A of a material universe. Thus the material universe was reduced to a pale Acopy of the all right and perfect universe heavenly. Blake, holding crossed through and through tenet of Swedenborg, has resolutely rejected distinction of the stuff and religious universes. He asserted, that true spiritualty is put in hit it up in the Nature and merely waits A for the Apocalypse, rebellion against godly constitutions A to be shown in full force.In AExperience SongsA NN there is one of figures Blake s mythologies God Urizen ( compare Your Reason ) . Urizen is the incarnation of conventional ground and jurisprudence which resist to liberate, free humor.Urizen is depicted in Blake s watercoloured etching The antiquated of Days .The brace AImagination ReasonA merely a dowry of a concatenation A of contrasts which penetrates all rhythm and sets its nonliteral system Light Dark, unsloped Angrily, the Life Death, the Youth the Old age, the earth s get downing the Female beginning, free love prohibition of desires etc. Blake counterposes his Contraries to Swedenborg s thought of equilibrium. Without Contraries is no patterned advance , says Blake. Attraction and Repulsion, Reason and Energy, beloved and Hate are necessary to Human being. The opposite beginnings are insufferable one without another, but therefore Blake accepted for positive A lie positive, and accepted for negative negative throughout all rhythm, in any context, and it in many respect helps to decode symbols of Blake.THE HUMAN ABSTRACTPity would be no more.If we did non do person PoorAnd lenience no more could be,If all were every bit happy as weAnd common fright brings reposeTill the selfish loves add ition.Then Cruelty knits a trap,And distribute his come-ons with attention.He sits down with holy frights, And irrigate the land with cryings Then humility takes its root Underneath his pes.Soon spreads the blue shadiness Of Mystery over his caput And the Catterpiller and Fly, Feed on the Mystery.And it bears the fruit of fabrication, Ruddy and sweet to eat And the pig his nest has made In its thickest shadiness.The Gods of the Earth and sea,Sought through Nature to feel this Tree,But their hunt was all in vain There grows one in the Human Brain.This verse form ( brace to ATHE divine estimateA from the first rhythm ) fundamental for apprehension of philosophical system AA Experience SongsA .hither Kindly, the Tolerance, the solid ground, Love produce a constituent of the unnatural societal constitutions A bing in land Urizen, that is the philosophical construct AInnocence SongsA is wholly discredited. Having shown falseness and lip service of the basic virtuousnesss of Innocence, Blake builds new fictionalization of private universe of the individual in which footing the image of the Tree lays favourite it. It from Fear and Humility holier-than-thou humbleness of a lamb ( compare a verse form Lily ) grows and shortly spreads a glooming hag of Belief, that is unnatural, far-fetched assent which feeds the Caterpillar and a Moth, churchmans being here symbols. At last, the Tree brings the Deceit fruit, that is lie and pretension A ( therefore it is sweet ) , and on the Tree there is a Raven a decease symbol. Such see BlakeN? private universe of the individual and A a religious manner of the world which has been held down ironss of Urizen. In last A stanza it is underlined, that Agods of the sea and the earthA , that is wildlife, unvarying with Imagination, could non happen this Tree as there is it in a human encephalon and cultivates him Urizen inert, non originative Reason.THE DIVINE IMAGETo kindness Pity Peace and Love,All pray in their hur tAnd to these virtuousnesss of delectationReturn their gratefulness.For Mercy Pity Peace and Love,Is God our male parent beloved And Mercy Pity Peace and Love, Is earth his kid and attention.For Mercy has a human bosom Pity, a human face And Love, the human contour Godhead, And Peace, the human frock.Then every bounteous male of every climate, That prays in his hurt, Prays to the human signifier Godhead Love Mercy Pity Peace.And all must love the human signifier, In pagan, Turk or Jew. Where Mercy, Love & A Pity dwell, There God is brooding excessively.In this verse form, cardinal for A Songs of Innocence, in the most distinguishable form the basic thought of a rhythm appears the human nature is godly. The individual and the God is one thing. Loving the individual, we love besides the God, in the God we love Its humanity. Here the basic, cardinal virtuousnesss of the universe of Innocence SongsA are straight named Good, Tolerance, the World, Love, every bit of import as for a l ife terrestrial, and heavenly. These virtuousnesss in the perfect signifier exist in celestial spheres, and in the reflected sort ( harmonizing to Ato the philosophy about conformityA ) are given people, and the people transporting in the Sacred Image, should portion them with each other. The true Christian the 1 who professes Good, Tolerance, the World, Love, that is that who creates an image of Eternity on the Earth, and in this sense there is no differentiation amid the states and faiths ( comparison at Swedenborg A To the individual professing love to approach, a manner on the Sky it is opened irrespective of its tellurian faith the belief is learnt non by faith. Any individual carry oning a life moral and religious, comprises the Sky A ) .Harmonizing to new sights Blake, the manner to Areturning of the EarthAA lays through release of desires ( first of all loveA ) which are connected Reason s ironss Urizen In a wallow A of natural aspirations both fleshes, and spirit - . Blake sees the Imagination jubilation, falling of religious fettersA . The tellurian, A animal life with natural spiritualty ab initio built-in in it ploughs for Blake the new ideal lifting to the topographic point of A idyllic Eternity. However in the bulk of verse forms Songs of A Experience A it is a inquiry of suppression of natural inherent aptitudes A or about penalty for their show, from here terrible, A sometimes sour and hopeless tone of this rhythm.In AExperience SongsA , surely, acerb plenty, A satirical leer over light, beaming and A perfectly unlikely the universe of Songs of Innocence A contains, AA and in this sense the 2nd rhythm bears on itself the letdown imperativeness. However it non is letdown in a life in general, more likely, A letdown in former ideals. However, to state, that Blake A wholly rejects the former representations, would be A hyperbole he names the former vision nonreversible , the thoughts limited , but wholly non wrong. Experien ce A does non cut across Innocence, but takes off to it a modest topographic point of one of facets of assortment of the universe. Blake shows, that Mildness is impossible without Violence, Mercy without Suffering, Pleasure without Grief, and Good without Harm. ASkilled A InnocenceA , uniting cleanliness with release of desires, A morality with absence of pretension and lip service, natural AAdivine visionA with the got knowledge becomes ideal BlakeAAA .In a word, Experience assumes wider and diverse A image of the universe including Innocence as one of two tantamount and equal in rights the parties, each of which A is every bit necessary, that is wherefore is sacred.However the basic idea of a rhythm however consists that in land of Urizen of virtuousness of Innocence reasonably frequently A turn to the contrasts. For this ground so A unconditionally discredits Blake Kindly, Tolerance, the World, Love which become symbols of prevarication, lip service and pretension so ruthle ssly onslaughts clemencies and faith which are the grounds of cryings and agonies. While there are Aspiritual A fettersA , idyll is unaccessible, but after falling of these hobbles Paradise is possible and on the Earth for the Nature, as a affair of fact, and is that ? which will transport out finally all human desires. AExperience songsA sing scolded, but non killed beauty A of a tellurian life, individuation of the Nature and the God merely in such sense and it is necessary to understand them AnaturalA .Its book AThe Marriage of heaven and HellA , ( 1790 ) became the pronunciamento of natural sights Blake. Difficultly plenty with truth to specify a literary genre of this merchandise is at the same time both the philosophical treatise, and the arch of apothegms, and a verse form in prose doubtless, Blake meaningly A tried to imitate bible stylistics. It is devoted polemic with A initial Christianity, no less than with Swedenborg sights. Developing AtheomachicA the tradition t raveling in the English A literature from J. Milton ( from its verse form ALost ParadiseA , 1667 ) ,Blake declares insolvent the standard Christian construct of Good and Harm. Kind ( Sky ) Sung in AA Innocence SongsAA and represented by Christian faith as proceeding from the God and, therefore, is alone good, becomes at Blake inactive, all-accepting, that is why non originative, non the capable beginning to study on the contrary, rebellious Harm ( Hell ) sees to it the get downing active, making for it, interrupting traditional A representations, moves development. The good personifies A religious stagnancy, and Harm throwings and spirit battles without which Athought motion is impossible.Jehovah appears in a verse form as a terrible, despotic divinity A and it is really identified with Urizen. The Satan, A on the contrary, is shown as the picker, the combatant bodying A the Poetic Genius. Breaking Christianity canons, Blake the Christ, tries to turn out, that more likely, belong ed to party of the Satan for was channelize by Imagination and preferred to follow the desires and suggestions, alternatively of the imposed tenet.The imaginativeness which Blake considers as the higher ability of the individual, doubtless, starts with the Hell. The sky personifies an order, reason, bigotry the Imagination is held down by nil, chaotically and perfectly irrationally. Traditional Harm A becomes in A The Marriage A A symbol of religious freedom, originative A energy, reformative the universe, and traditional Good A a passiveness and bigotry symbol. However Blake remains it is true to the A dialectics and asserts, that two antonyms are huffy about each other and merely their coexistence, a matrimony behaviors to veritable spiritualty.The 2nd major inquiry A The Marriage A is a inquiry of integrity of psyche and a organic structure. Blake rejects supported of Swedenborg traditional representations about a organic structure as Asinful fleshAA ( i.e. Harm ) and to a shower as NN??NN? A Godhead fire ( i.e. Good ) . Marrying A occurs non merely in a existence, but besides in each of the person psyche and a flesh are unvarying. Blake asserts, that AAll Live Is sacredA , that is the material universe non merely is a pale A transcript of the universe heavenly, it is arrogant and self-sufficing, that is why is in ain manner perfect. The psyche does non be individually from a flesh as the flesh is so sacred, every bit good as psyche and therefore animal desires are wholly non iniquitous ( as confirms the Sky ) , on the contrary, sinfully their suppression. In release of a flesh A which will do release of spirit, Blake sees a manner to a cleansing Apocalypse, to falling of Kingdom Urizen.Surely, the care ASky and Hell WeddingA A is non settled at all by these general commissariats. This hard A and deep philosophical merchandise create verbally in A feature for Blake an allegorical, nonliteral mode. He did non draw a bead on to easiness for affair s about which it narrated A- common dealingss of Good and Harm, the Person and the God, do non endure simplification, but the advertent reader can non gain into an kernel of its doctrine and to track, at least partially, a thought home A with child(p) visioneryA .The period Blake s battle against God with its defiance, A all-rejection and maximalism has appeared shortA . It was followed by deep crisis and as its consequence A- a long silence, full refusal of the publication of the merchandises. Religious crisis has returned Blake to believe on the God, on Innocence, but already in its other understanding. Now it considers creative activity of a material universe as a constituent and direct consequence of Fall from what follows, that the flesh is inherently opposite to a religious Asubstance and, therefore, is ab initio iniquitous.The particular topographic point among Blake s merchandises of this period A occupies a verse form The Mental Traveller ( written apprx. 1800 ) . It some sort of the religious recital of the poet and at the same time religious life of world. Blake describes beginning, a jubilation and diminution of any thought and A in analogue shows, how its ain sights developed and changed.A Songs of Innocence and Experience A it is the widest a known portion Blake s heritages. They give full plenty, but far non thorough representation about creativeness of this A singular maestro. It would be desirable to trust, that finally A the Russian reader will pull off to acquire acquainted more full with A a heritage of the great poet-seer which has in many respects anticipated A the farther development of poesy, and human idea as a whole.Auguries of Artlessness Auguries of Innocence by William Blake occupy a particular topographic point in his work. This piece dates from 1801-1803 old ages and conventionally related to the 2nd period of his poesy. This old ages new religious bay Blake, when it replaced the idealistic, the realistic temper of the yesteryear comes an wholly new construct of peace, based on perceptual experiences of world in the integrity of all its contradictory facets.It is hard to find the genre of the work. At first familiarity it seems that in Auguries of Innocence is no definite secret plan line, they seem merely axiomatic fragments, in no manner linked.As one of the most complex and original phenomena of European literature, Auguries of Innocence is an organic portion of the artistic universe of Blake. Understanding of this work can non be outside the context of the poet.The chief job that confronts a author, stated in the rubric of the verse form Auguries of Innocence. In Blake s Artlessness does non be apart from cognition, these vernacular oppositions are non negate each other, all co-exist in integrity.It was this thought ( the combination of different ) tends to reflect the poet in his work.Poem Auguries of Innocence was preceded by a rhythm of verse forms Songs of Innocence and Exper ienceA , which shows really clearly the dialectical vision of the universe poet. The significance of the book the thought of continuity of human religious experience, his unity, amalgamation in some higher synthesis inherent in the personality of the birth of artlessness, innocence and all the inevitable edification of each are far from being ideal. It is poesy, where the universe is comprehended in the brushs, the higher harmoniousness of the ageless and intolerable societal dissection, the current of his being, at the intersections of mutual oppositions. ( 4, 28 ) , and these mutual oppositions of artlessness and cognition do non contradict each other, everything is interconnected, everything exists in integrity. We can non reject one another glorified, because everything in life is inextricably intertwined. ( 5, 19 )The same perceptual experience of contrast we see in Auguries of Innocence. But Blake infinite assortment of this dialectic battle of creative activity an d devastation. His images are continuously germinating. From this diverseness, at first glimpse, a simple manner that makes it hard to understand. ( 12, 171 )Start Auguries of Innocence with lines that are most frequently quoted when mentioning to the name of William Blake, with the lines have become a pronunciamento of English RomanticismTo see a World in a grain of sand,And a Heaven in a wild flower,Hold infinity in the thenar of your manus,And Eternity in an hr. ( 1, 324 )No accident that this stanza reminds one of the first. It expressed the cardinal recipe of Blake. Here we are speaking about the position of the internal and external. In each grain of sand, the source seeks to spot a contemplation of the religious kernel, the desire for direct acclivity from a individual, private experiences to the immeasurably broad, cosmopolitan generalisations. And it was called a large male with imaginativeness.Center of the complex artistic universe of Blake is the adult male. gentle man is heaven and Earth, snake pit and Eden and all the phenomena of the universe at the same time. The poet saysThou art a Man God is no moreThy ain Humanity learn to adore,For that is My spirit of life.( The ceaseless Gospel )This is Imagination is what helps to throw off the bonds of an enslaved spirit, unleash the perceptual experience, see infinity in one minute. The value of free imaginativeness the chief thought of the following pathA redbreast robin in a coopPuts all Heaven in a fury.A dove-house fill d with doves & A pigeonsFrissons Hell thro all its parts.The same thought is found in the Proverbs of Hell , from The Marriage of Heaven and Hell , which reads You neer know what is adequate unless you know what is more than plenty. Here Blake negotiations about the human right to fulfill all their desires. Enslavement reinforces the subjugation of ground over imaginativeness. Blake defends the right of speculative homo accept which refuses to set any boundary lines . Humility Blake the greatest perversion of human nature. Blake hated it, because it means the kick of the God within adult male, the wickedness against the Holy Ghost. Forced humbleness is religious slaying. Persons should neer the subjected to Urizen s One Law for the Lion & A Ox ( The Marriage of Heaven and Hell ) . Humility is the exuberant one of antediluvian Elf ( The Everlasting Gospel ) . S. Foster Damon. A Blake lexicon the thoughts and symbols of William Blake The jurisprudence of all development is a battle. This is an thought the poet is in a self-contradictory signifier of Proverbs of Hell we find the undermentioned lines in the beginning slaying an baby in its cradle than nurse unacted desires , and Auguries of Innocence image a redbreast in a coop , embodies the reticent desire, poison the psyche of adult male. No demand to seek to acquire rid of enticement, merely traveling through the full emancipation can see the truth, because he who desires b ut acts non, strains plague. A Canis familiaris starv d at his maestro s gatePredicts the ruin of the State.A genus Equus caballus misus d upon the routeCalls to Heaven for human blood.Each call of the hunted hareA theatrical role from the encephalon does rupture.In these lines there is a symbolic image of England and the universe. William Blake created at the junction of era, it is non surprising that in his work, he tried to reflect and understand the events that took topographic point at that minute in his state and worldwide. The first efforts to look as early in the rhythm Songs of Experience that would subsequently slop over into the creative activity of such infinite verse forms as Visions of the Daughters of Albion, ( 1791 ) , Europe a Prophecy ( 1794 ) , the States a Prophecy ( 1791 ) . Blake is really excited by the destiny of the state, and he tried to happen the causes of catastrophes and catastrophes, which was part apart by England. He compares it to Babylon, where the thought of equality replaced by an attitude of a retainer ( the images of a Canis familiaris and beaten Equus caballuss ) and the proprietor, and the rule of freedom the system of captivity of the moral and societal.That s what England Blake says in the verse form London from Songs of Innocence and Experience I wander thro each charter d street,Near where the charter d Thames does flux,And grade in every face I meetMarks of failing, Markss of suffering.In every call of every Man,In every Infant s call of fright,In every voice, in every prohibition,The mind-forg d cuff I hear.How the Chimney-sweeper s callEvery blackning church building appalls And the hapless Soldier s suspirationRuns in blood down Palace walls.But most thro midnight streets I hearHow the vernal Harlot s expletiveBlasts the new born Infant s tear,And blights with pestilences the Marriage hearse.Cruel rationalism penetrated all domains of life, and societal and religious. Blake bitterly remarked Th e enquiry in England is, non whether a adult male has endowments and mastermind, but whether he is inactive and polite, and a virtuous buttocks, and obedient to Lords s sentiments in art and scientific discipline. If he is, he is a good adult male if non, he must be starved. Alexander Gilchrist, Anne Gilchrist. Life of William Blake ( 1880 ) , Volume 1 . In such a society a adult male is like hunted hare. Coarse rational head thwart any efforts of imaginativeness. It is inactive, the quest for the empyreal unclaimed.A Alauda arvensis wounded in the wing, A cherubim does discontinue to sing.A Alauda arvensis here Imagination in the clasp of Urizen. The image of Urizen appears in the ulterior plants of the poet. This mythology of Blake s character, embodies the head ( your ground ) .Every brute s and lionshowlRaises from Hell a Human psyche. The Wolf and the Lion regarded as symbols of power of England. At Blake they become emblems of stiffness of a deceasing era. On anticip ates the devastation of Babylon and the coming land of ageless Jerusalem.Empire is no moreAnd now the king of beasts & A wolf shall discontinue says concluding Marriage The wild cervid, rolling here and at that place,Keeps the Human psyche from attention.